Press

“…an exciting mix of thoughtful listening, joyous noise and beat-driven beauty.” Frank Alkyer, DownBeat

“…all four have wide imaginations, a penchant for exploring the unknown…” Jordan Mainzer, Since I Left You

This is serious space music: the groaning of black holes, sizzle of cosmic rays, crack of birthing galaxies, mating calls of hitherto undiscovered interstellar leviathans … While highly abstract, it is Martin's metricality that helps ground the proceedings, making it less about typical free jazz peaks and valleys and more about wave-form undulations.” Andrey Henkin, The Squid’s Ear

“… sounds nothing like any of them have done elsewhere. It is its own thing, newborn into the world.” DownBeat

“A jam band for the differently wired.” Avant Music News

“Everyone got to solo and stretch out at some point and all four members shined at different times. This was a near perfect set and one of highlights of this fest. This quartet were fabulous and should have a live recording out.” Bruce Gallanter. Downtown Music Gallery

“Once there and locked in the resulting energy was unequivocal.” Eric Hill. Exclaim!

“It was a rich and exciting show performed by virtuosic players who delivered a musically fascinating group experience.” Irwin Block. Before Music News,

“Saturday night's special was a groove-machined quartet called Void Patrol, with spidery guitarist Elliott Sharp, circular-breathing saxophonist Colin Stetson, bassist Payton MacDonald and drummer Billy Martin — he of stoner-jazz staple Medeski, Martin and Wood fame. In its way, Void Patrol can suggest a variation on the MMW theme, but with more ‘outside’ venturing.” Joseph Woodward. DownBeat

NYC Jazz Record
Payton MacDonald Payton MacDonald

NYC Jazz Record

“There are passages that are haunting, others that churn into a near thrash metal ball of energy. …”

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